The Shadow Archive: The Private Library of Your Worst Work
We delete the failed sketches, the awkward poses, and the muddy color tests because they feel like evidence of our incompetence.
We delete the failed sketches, the awkward poses, and the muddy color tests because they feel like evidence of our incompetence.
The brightest part of a shadow is almost always along the bottom edge or the “rim” of an object closest to the ground plane.
We often fall into the trap of drawing based on muscle mass and fat, both of which shift, stretch, and deform depending on the pose.
We often fall into the trap of shading the nose, then the eyes, then the chin as isolated tasks.
Foreshortening is the ultimate test of an artist’s ability to override their own brain.
The most common mistake in rendering is confusing illumination for the object’s inherent shade.